Photoessay: Venice Beach

I have been photographing Venice Beach and its famous Boardwalk ever since I arrived in Los Angeles, four years ago. So, hundreds of shots later, it’s only fitting to publish a photoessay on Venice Beach, its people, its sites. The series is in black and white because, although Venice Beach is a very colorful place, its bohemian soul can also be captured without its many hues.

Venice has long been a spot for artists, surfers, skateboarders, street vendors, and homeless people. During the 80s and 90s it was quite dicey and, until recently, not a safe place to live, unless you didn’t mind gang violence, occasional street shootings, and drug dealers and addicts roaming around. Venice has cleaned up quite a bit lately. It has grown to include not only Google and its five-hundred employees, but more than 40 new tech startups, media companies, consulting firms and investors. These developments (which many call gentrification) have brought sophistication and quality living to Venice, but not enough to take away its bohemian vibe.

The Venice Boardwalk and its surroundings remain edgy and fun, with the usual circus-like environment. Street musicians, artists, vendors, tourists and locals, as well as an ever-growing homeless population, share the space democratically. As you enter the area, the smell of weed hits you like a bullet. It’s part of the experience… There you will encounter very eccentric people who have become fixtures of the place. Some of them are featured here. I’m not sure how much longer the Boardwalk will remain as it is. Real estate prices in the area are sky-high and rent is not as affordable as it used to be so struggling artists are moving out. I have nothing against gentrification –the place was a mess before — but I like the bohemian side of Venice and hope that never goes away.

Architectural Photoessay

The Petersen Museum: Love It or Leave It

L.A.’s Petersen Automotive Museum reopened in December of 2015, after undergoing extensive remodeling. The new building, designed by Kohn Pedersen Fox (who also worked on New York’s MOMA), is a textured hot-rod-red aluminum structure wrapped by hundreds of stainless-steel ribbons, meant to “evoke the imagery of speed and the organic curves of a coach-built automobile.” But many critics in L.A. are calling it a huge eye-sore, an obnoxious, loud, and tacky Las Vegas-style monstrosity. Will the public hate it or embrace it? One thing is for sure: once you’ve seen it, you will never forget it.

The interior is impressive with twenty-five galleries on three floors, packed with interactive technology telling three stories about the automobile: its history, its industry and its artistry.  I enjoyed the time I spent there. The cars on display are simply jaw-dropping beautiful and for car lovers, there is a special tour to the museum’s vault, where they keep hundreds of car intended to be display at times in different exhibits.

CEE’s Odd Ball Photo Challenge: 2016 Week 1

This original vehicle is a fixture on the Board Walk in Venice Beach, Los Angeles. I haven’t figured out who owns it and what’s the deal with it, but I had to shoot a couple of pictures. I think they are good candidates for Cee’s Odd Ball Photo Challenge.

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